Eternal Sunshine of the Spotless Mind:
i saw the film for the first time not long after it came out, during a hazy section of my life when i was deluded enough to believe i had married my own Clementine. i remember us talking about how much i was like Joel, and when she admonishes him in the bookstore:
"Too many guys think I'm a concept, or I complete them,
or I'm gonna make them alive. But I'm just a fucked-up girl
who's lookin' for my own peace of mind; don't assign me yours."
or I'm gonna make them alive. But I'm just a fucked-up girl
who's lookin' for my own peace of mind; don't assign me yours."
i had a flashback to February 2000, when my future Ex told me much the same in a bank parking lot on a Sunday morning. i had driven all night from Manhattan to Gainesville, crazed and frantic to see her, after turning down my dream job in a courtyard apartment in the West Village. at the time i thought it romantic, but as the years wore on, i came to know that i had ignored the warnings of Circe.
this is the point.
when i first saw Eternal Sunshine, i was too consumed by my own mythology and illusion to really pay attention. this week, however, i saw for the first time the tension between the film's existential content (memory, identity, the problem of choice) and its absurd romanticism. the narrative's meant-to-be-ness obscures the fact that Joel and Clementine's insecurities and resentments are destined to recur and sabotage their love. these foibles are inside of them
- inside of us - and we cannot help but project them outward until they are fully embraced.
the truth is obscured, not obliterated.
i focused on the existential.without memory we live in stasis, growthless and confined. this goes beyond the transitory nature of relationships; it goes further than the cursory glances thrown at mirror and reflection. knowledge of self is sustainable only if it is etched into our consciousness, and the mind must record the experience of transcendence no matter how poor the fidelity. these flashes of insight, of wisdom, of beauty, art and love - these are the things that give us a reference point, the ability to know there is (at worst) the possibility of something more than the tiny boxes into which we circumscribe our being.
I had perhaps the opposite reaction when I first saw the film. I was so caught up in the painful, forced aspect of the relationship between the two main characters that had parallels to what I had and was living through at the time that I could hardly enjoy the more creative, playful aspects of the plot and visual effects. Watching a male lead character who was making all the wrong decisions and getting caught up in the aftershocks was hard. Watching him pursue the bittersweet salvage of those descisions was even harder-at the time I watched the film, I had already lived a parallel. Watching the film recently, in a different space of mind, I took from it the seed of positive. No matter how wonderful a relationship may be, there are things that try our tempers and require acceptance. The key, of course, is knowing the right balance, a topic the off-kilter plot never addresses.
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