Wednesday, October 20, 2010

before class, two years ago

i_s a t
a t__d u s k
u n d e r_ a
t
r
e
e
c_____o______n
t e m__p__l__a t______ i n g
r_________o________o______t____s:

could palm



ever be bodhi?




i did not notice: the sound of
the passersby, nor the smell of
passion fruit, nor the taste of
Duchamp from past summers' love.


(instead)


my:
the wind cross
face
the grass tween
toes
the poem inside
fingers.



an earlier version of this poem lives here.

Monday, October 18, 2010

Nazis ruin everything

when i was a kid, i lived up a mile-long gravel road. (captivating, right?) the school bus, of course, was unable to go up this road because it wasn't part of the state or county system. so, every day, i had to walk this mile-long long gravel road to get home. being an avid multi-tasker even at the tender age of 12, i would practice my trombone as i walked up the hill, which provoked the ire of the cattle that lived in the pastures surrounding the road. they would chase me and i would flee; this was our agreement.

but this is beside the point.

the point is that when i finally did make it home – dusty, sweaty, and well-chased – i would pop in a copy of The Blues Brothers, which i had recorded onto a VHS tape off of WGN, and watch it from start to finish. i did this every day, five days a week, for approximately all of 6th and 7th grade. the film taught me many things, but two stand out more than all the others:

1) there is nothing wrong with eating dry white toast.
2) never trust an Illinois Nazi.

while my adherence to the first maxim has been more or less metaphorical over the years, my allegiance to the second has only grown stronger, expanding to include all manner of Nazis. just this week, though, i received a photograph from India that reinvigorated my disdain:


Ganesha statue, replete with swastika and om

leave it to the Nazis to mess up swastikas for everybody – a benign, well-designed iconography that has been forever stained by a simple 45º rotation. this sort of semiotic carnage is typical of Nazism, ranging from all the poor souls who happened to be name "Adolf" before Hitler's rise to power, to all those once-normal towns like Dachau whose names are now synonymous with genocide.

i submit to you that Nazis ruin everything. not a new idea, granted, but the picture of Ganesha reminded me of this: each day the generation of Holocaust survivors grows smaller, and the relentless machinery of time continues to erase the living memory of that which defies signification.

with the disappearance of memory, we are left with nothing but language to speak what cannot be spoken, to sign what cannot be signed. we are left with photographs and grainy 16mm films, with taped interviews and documentaries – but can these artifacts ever transcend the limitations imposed by their aura of fidelity?

this is the question asked by Resnais and found wanting.

symbols are enlivened by the cultures that create and replicate them; their meanings are never stable, their signification always contested. each voice adds (or negates) meaning; and i wonder if the swastika, ancient though it is, will ever recuperate from that 45º rotation.

(footnote: Ganesha is the remover of obstacles.)

Sunday, October 17, 2010

Manali v. Lakeland

i spoke to Jache yesterday afternoon, while waiting for my mother at a chain restaurant in Lakeland, Florida. we hadn't spoken in some time, and he asked about my yin. i told him she was in Manali.

"she gets India, you get Orlando," he said. "it's like yin and yang."


which one would you choose?

touché, i say, but this is beside the point.

the point is that i believe you can judge a lot about a town by two things: its thrift stores and radio stations. if this holds any bearing to reality, then i would say that Lakeland is one effed up place, in spite of its preponderance of Frank Lloyd Wright buildings. the two thrift stores i went to were gigantic, nearly as large as the big box retailer where i bought 88 unbent spoons for the ridiculously low price of $23.54, and seemed to have a book to bible ratio of 2:1.

furthermore they were absolutely packed, not with quasi-slumming semi-hipsters wasting time (comme moi), but with people needing to go to the thrift store. i even saw one car in the parking lot set up with the seats down and a mattress in laid out. i imagined it to belong to the sunburnt bearded man i ran into at both locations. the second time i saw him, he was throwing away a toy car and i felt my heart breaking a little, wondering how long he had held onto it, or what it might have meant to him. was it a new purchase, suddenly realized to be useless, or a final souvenir of a life that no longer belonged to him?

perhaps in this question lies a larger metaphor, an understanding of how we relate to the world around us; perhaps questions like these are merely ways to avoid the sadness i feel when i encounter things that seem so senseless.

as for the radio, Lakeland is marked by dozens of Christian and country radio stations, which outnumber the rock, rap and other approximately 1.5:1. (note: all ratios are psychological rather than scientific.) i heard one man going on and on about the retina and what a wonderful, perfect creation it was. somehow this soliloquy worked its way around to evolution, and the program ended with the host informing the listener that Christians needed to be well-versed in scientific facts because the Bible is, in fact, both historically and scientifically accurate.

flipping stations, i stumbled upon a call-in show about that nutjob church in Kansas. a caller to the show told the host that, when he first heard about [name omitted for the safety and well-being of all sentient beings] he thought it was the work of "atheists" who had "infiltrated" the church in order to discredit true believer.

he really said this.

let me get this right: an atheist pretends to be a churchgoer for the sole purpose of discrediting churchgoers. ah yes, those devious atheist infiltrators....

it was hilarious, frightening and sad that this caller's paranoia and fears of persecution had caused him to project so strongly onto others. but still, i couldn't help but be disturbed that this man (white, male Christian) felt perfectly okay using the public airways to slander a minority group. no doubt part of my outrage has to do with my former longstanding affiliation with this minority group, but still...

anyway, i believe Lakeland (which sits halfway between Orlando and Tampa) serves as this incredible case study as to what happens to the mid-sized towns caught between urban centers. it has its own independent existence, it's not a suburb, and yet it still feel surrounded by the fervor and fever and foment of those scary ideas lurking an hour down the road. it's towns like these that bear the scars of America's schizophrenia, which has been dubbed so eloquently as 'the melting pot' by the dead and dying men that write our nation's textbooks.

Manali, on the other hand, has signs like this:


if only it was always that obvious...

regardless, on the drive home i found myself remembering the trip my yin and i took to St. Pete over two years ago. it was long before we recognized our physical interconnectedness (i think this would make a nice Buddhist euphemism for sex), and she convinced me to listen to Phish for all those empty hours across the middle of the state. i found myself having dozens of mini-revelations about the nature of art, creation and seva as i drove, exploding like the firecrackers i saw tossed out the window of a pick-up truck in Lakeland.

our attachment to the things we make binds us. i see it in myself: fear of judgment, fear of letting go, fear of losing the things that were never ours in the first place. Walter Benjamin believed art was special because it allowed the unconscious and conscious minds to come into contact in the waking state, and my own experience has taught me that the creation of art allows us to resolve problems, to work through issues in a manner that ultimately reveals that any perceived dilemma never really existed at all.

my task during these three weeks of near-solitude is to allow all these things to integrate more deeply, and in this spirit i've made a sankalpa to meditate at least twice each day, regardless of circumstance, fatigue or agitation. this is the gift i've been given in lieu of Manali, and i can feel it happening already. i see signs in the Sign of the Mouse, which is really nothing more than two circles stacked upon a third:


one might surmise my fondness of circles

i dream of insomnia and awake to the empty sunless room of 5am, knowing that my yin is enjoyed the cool mountain air of the Himalayas for both of us. i think of my mother in Clearwater, my father in the mountains, my brother concocting one mad idea for world peace after another – he would be proud to know i shopped at that Wal-Mart in Lakeland.

i think of the indomitable dinner companion, the half-Canadians, and the giraffes in Orlando, who look like trees walking in the dark. i sit up in bed well before 6 am, take out my mala beads, and begin repeating my mantra. i remember the night before, the years before, the lifetimes before this one. i see in my mind's eye seven hours before, when i encountered a smoking cross-legged bodhisattva sitting atop a newspaper stand in Yeehaw Junction.

what secrets does he hold, and why didn't i ask him for his picture?

Saturday, October 16, 2010

Fear and Loathing in Orlando

i'm on the 6th floor of this building:



listening to Delroy Wilson:



and thinking about Hunter Thompson:



remember that scene of Fear and Loathing when Raoul Duke and Dr. Gonzo go to the carousel bar tripping on acid? that's what Orlando feels like so far, except without the acid. come to think of it, though, i haven't tested the tap water...
the acid is beside the point.

the point is that last night i saw zebra, giraffes, and the silhouettes of what appeared to be watusi:


the animal


not the dance

a ten year old boy told a bird not to poop in the water, and an imaginary Salvadoran gave me a recipe for butternut squash. the coffee tastes like ammonia. a girl from Swaziland showed us to our table; dessert was involved.



as far as i can remember, i've only been in Orlando once before, more than twenty years ago when my aunt and uncle were living in Tampa. we drove to Disney World, and i fretted the whole way across I-4 that i wouldn't be "this tall" when it came time to ride Space Mountain. thankfully i was.

t
he
ind
omi
table
dinner
companion.

(stories were recounted across the table:

childhood, metaphysics and pleasant distraction.)

i took notes on the night before, and
ate Mickey Mouse's face this morning;
i found myself unable to:


Friday, October 15, 2010

my morning so far

3:20 am

i wake up and look at the phone next to the bed. there are no clocks in our bedroom, and usually no phones either, but i had to set a 'just in case' alarm because i'm presenting a paper at a conference in Orlando later today. perhaps this anticipation is the reason i'm awake, or maybe it's because i'm subconsciously syncing up with my my yin's time zone in New Delhi. it makes no difference either way and i try to go back to sleep.

3:31 am

it occurs to me that maybe i only dreamed about looking at the clock, and i'm taken by an urge to look at the phone again. sadly, the memory of the clock was accurate, rather than the dream of the memory.

4:01 am

get sick of laying in bed and let go of the following story: "if i get up now, i'll be sleepy and tired later in the day."

4:06 am

meditate. i have a vision of an old-time crystal doorknob like this one:



except the one in my vision is refracting the entire spectrum of light. it materializes out of nowhere and then an invisible door grows around it. i reach out to touch it, and as i turn the knob it looks like a rainbow spinning in my hand. i step inside a quiet place. forty-five minutes later i open my eyes.

5:02 am

learn that my paper has been accepted at the University of Florida's upcoming "Film and Philosophy" conference.

5:05 am

practice hatha for forty minutes, including several rounds of sun salutation. the sun does indeed rise a couple of hours later, which may or may not be coincidental. i listen to Wah! while i practice, and remember how a friend once told me that the singer had an unhealthily large ego. this, in turn, reminds me of a drummer friend in North Carolina, whose ego is not unhealthily large:


author with drummer of Raleigh's I Was Totally Destroying It

5:52 am

coffee!

6:00 am

start typing up notes that will become this blog, journal, and listen to Pandora's "Beach House" station – not as sunny as the title would lead one to believe.

6:39 am

eat delicious homemade banana bread muffins that my yin made before leaving. the house is impressively overstocked at present, especially considering the fact that i'll be gone for a couple of days. luckily the box from the farm was anemic, typical for the first delivery of the season. the contents included (with my reaction):

1 butternut squash (i think 'penis squash' would be more descriptive)
1 small bunch of basil (gotta find my yin's pesto recipe)
1 star fruit (even after four years, these things still freak me out)
6 cucumbers (really? six?)

6:54 am

call my mom and wish her a happy birthday, who oddly enough shares the day with fore mentioned drummer. her company has sent her to train in Clearwater for two weeks, so i'm taking her out for dinner tomorrow night after my conference hubbub dissipates. i don't remember the last time i saw her on (or near) her birthday, and it's well worth the extra driving to deliver her card in person.

7:13 am

post blog, finish coffee, and take a shower. shave with medium success and finish packing my things.

7:46 am

listen to Waylon Jenning's "Are You Sure Hank Done It This Way?"
just for good measure.




8:00 am


depart for Orlando.

Thursday, October 14, 2010

about yesterday

... i awoke to an email telling me that "Paris is freezing and foggy."
Alain Resnais would agree, but this is beside the point.

the point is that i took my yin to the airport yesterday, and i got up at 5am in an attempt to maximize our time together before her departure. she is spending three weeks in India, with a brief layover in the Charles de Gaulle airport, and woke an hour before me. she's been rising early (earlier, actually) and taking melatonin to help shift her circadian rhythms to India time, which is 9½ hours ahead of eastern standard time. i'm still trying to figure out that half hour, but rather than researching it i've decided just to chalk it up to another scar left by the British.

whatever the reason, we were both up stupid early yesterday morning and left the house before sunrise. she dropped me at school so i could teach my 8am class, and she went to teach her 7:30 client. she picks me back up a little before 10am. we go to Whole Foods and buy bananas. the total comes to $1.08, and i tell my yin, "that's auspicious."

she smiles and we eat our bananas in the dining area under a too-loud speaker that's blaring out Eighties pre-hair metal rock. it seems an odd choice given the venue, and by this point the sadness of our coming farewell has fully descended. we hold each other some.

this scene is repeated two hours later in a busy restaurant.

she asks me if not going brings up thoughts of the past. i tell her no, that school and money and any of a dozen other arbitrary things make my going with her impossible now. it is not just a matter of karma, but of dharma as well. i used to believe that karma is that which compels us to do our dharma, now i know it.

i tell my yin that my thoughts are of the future, that i want to share such experiences with her and hope we can make a living that will afford us such opportunities, while still allowing us to live with ourselves. i believe the term is called 'right livelihood.'

we split a veggie burger and some orzo, and between the bananas and the burger is a trip to a thrift store. it smells terrible – like a fart – and we choose not to stay long. her phone rings in the parking lot; a friend in Miami orchestrates a transcontinental call with the half-Canadian she's meeting in India. plans are made. he tells her to tell me that he loves the way i mistrust him. i appreciate the gesture.

after lunch we continue south, and it's raining as we drive down A1A looking for a cup of tea that never arrives. traffic worsens as we near Miami, and we cut west at Aventura, just south of the hotel where my yin attended a yoga conference some years ago. i remember helping her with her scholarship essay. our respective circumstances were so vastly different then. sometimes it's hard to comprehend.

i drop her at the airport around 2:45 pm. we kiss and hug and hold and each tell the other, "i love you."

i drive home in the rain, headaching from the overcast and sadness. the sun hasn't shown since Monday. no tears fall. i take the Turnpike to avoid traffic; perhaps i run a toll booth without realizing it. a school board meeting for Miani-Dade County is being broadcast on NPR. i turn off the radio and chant:



i nearly miss my exit in Boca and turn on music to help me reground. i still have one more class to teach and speak to my yin at 4:30 to make sure she made it through security. i wish her un bon voyage. she tells me she was dialing my number when her phone rang. we chant three rounds of gayatri together. no tears fall.

i go teach and my headache subsides, thankfully and temporarily; perhaps it was the green tea and pineapple.

back in my car the headache returns. i eat some leftover baguette from the day before. my yin had bought it for me, along with a big block of cheese, so i could sit around in my underwear and eat it while she was gone. she knows all about the metaphorical block of cheese, but it's the furthest thing from my mind on the drive home. the baguette is purely medicinal, and i hope that its thick crust will help to discharge the tension pent up in my jaw. it works some, but when i look down at my shirt i see a million tiny crumbs. it reminds me of the night before, when a similar hyperbole caused me to react to a close friend. he told my yin to tell me he loves the way i mistrust him. i appreciate the gesture.

(is repetition ever anything but intentional?)

i get home and take ibuprofen, turn of the lights and meditate. the headache recedes for the night, and i force myself to stay awake a little longer. i watch Last Year in Marienbad, which is stunning. even my fatigue and sadness are unable to diminish its impact; perhaps they enhance it. i jot notes that will become a poem, noticing how the world of Resnais seemed to seamlessly collide with my own.

or was it 'the world of Resnais seamed to seemlessly collided with my own?'

i never speak to my half-Canadian friend and turn off the computer just before 10pm. the next morning i awoke to an email telling me that "Paris is freezing and foggy." Alain Resnais would agree, but this is beside the point...

Wednesday, October 13, 2010

le départ

l'année dernière à Marienbad
une sirène dehors de la fenêtre
le mal de tête s'apaise



un, trois, cinq, sept

un jeu de cartes
un journal français
le départ de mon amour

le poids de pensées vacants
je les sens tous les mêmes.