Thursday, December 9, 2010

BEEEP ... BEEEP ... BEEEP

this is the sound being emitted from the service closet in my apartment complex at this very moment. if it continues unabated, i may lose what's left of my sanity by midday. this particular malfunction occurs every two months or so, and every time it happens i call the 800 number, get the same runaround, and then wait 3-4 days for a serviceman (yes, they have all been men) to finally arrive and turn off this despicable noise. every time, another little piece of me dies inside.

but this hyperbolic quasi-hypnotic beeping is beside the point.

the point is that i need to return to my thesis today, having received the latest round of revisions from the professor who unwittingly inspired the project itself. years have passed since then, and it's odd to think about all the tiny conversations and offhand comments and spurious questions we ask during the course of any given day.

what karmas are sown without our knowing?


November 7, 1999 – January 18, 2000


my yin and i had dinner at a friend's home last night, or at least dinner at the home of a friendly acquaintance and her husband. it was a nice meal, good food, pleasant conversation – two hours sped by like minutes.

we talked about distractions, perception, and paradox; two dogs, one black cat, and one talking bird ate their dinners in silence. i like to think of it as a metaphysical pick-up game, with four humans on one side and four animals on the other.

who is the bearer of wisdom, at whose expense is it borne?


June 10, 2001 – October 1, 2001


i woke this morning to the rain and the clouds and pesky thoughts of my thesis arguing with my mantra. no resolution was reached, and the sun rose unimpeded. i know it's there, i cannot see it. what is the basis of my knowledge? what is the experience of my belief? the pull of gravity is undeniable, yet unspeakable without abstraction.

this is the double-bind of language.

words are frail objects, tiny fragments of our self that are both the source and obfuscator of meaning. they create experience, they veil experience – they are the flawed, fractured artifacts of an Imaginary wHoleness. they are the best thing we have...

what karmas are sewn without our knowing?


September 14 – September 27, 2007

Wednesday, December 8, 2010

doppelganger and demi-colons

i slept poorly last night, caught between double-stuffed and half-baked dreams without an Oreo or Ben or Jerry in sight. i cringe reading that – apparently branding and consumption have colonized my vocabulary even more thoroughly than i suspected. David Harvey would probably have something to say about this:



but this is beside the point.

the point is that the first dream, the double-stuffed one, featured not only my yin, but also my yin's doppelganger. i would be hard-pressed to tell you which one (if either) was the real her, but the three of us were in some anonymous hotel room with two double beds, not unlike the one we shared in Gainesville a month ago. one yin was in each, and i was trying to crawl in with either of them.

both were completely unresponsive to my advances.




in the second dream i was presenting at some conference as a guest teacher. an authority figure pulls me from the main meeting hall and takes me outside, telling me that my application was deficient in some way. he has completely misconstrued my writing and intent, but i say nothing, listening quietly before disappearing back to the hotel room.

my yin is not in this one, but the half-baked dream takes the same geographical location as the double-stuffed. part of the perks of this conference include a free teeth cleaning, and i go visit a disinterested dentist housed on campus. he cleans only half of my teeth – the upper left quadrant and the lower right – and i walk out of his office obsessing about the lack of balance in my mouth.



i see little meaning in these dreams, but find their mathematical proportions exceptionally curious. why twice as many? why half as much? is it a response to the pleasantly chilly weather of the past two days? or perhaps because i turned in the second chapter of my thesis last week? i'll be working two jobs on campus next semester, maybe that's it.

maybe it's none of these things. maybe it's random scraps from this lazy week of waiting. maybe it's just the mind's way of finding another way to make two out of one.

Tuesday, December 7, 2010

a date that will live in (in)famy


part 1: one, and two years ago

Dia de playa




part 2: four years ago

Two Birds, One Fish (heart presently unbroken)

wind
surf
silence
white noise
blue ceiling
green sea

tide in, mind out

a raft
a cinder block
flippers
and snowshoes

scuba
and tank
siphon
and tanker

salt mist spray I taste

brent crude and oxygen
union and undertow

waves crash
(super novae)
in to oblivion

ebb and flow
constant as the moon


part 3: thirty years ago

"Darby died from an oki dog"


September 26, 1958 - December 7, 1980


part 4: sixty-nine years ago

"...a date which will live in infamy..."


view of Pearl Harbor in December


part 5: two thousand four hundred years ago


from Chris Marker's "The Owl's Legacy"

Monday, December 6, 2010

on Art Basel 2010

my yin and i went to Art Basel this weekend, determined to spend as little money as humanly possible. this meant that, unlike last year's excursion, we would have to pass on the convention center and the innumerable satellite events that slowly bleed patrons to death at $10 a pop – public art, metered parking and flash galleries were the order of the day:


a flash gallery on Collins Ave... recession has its privileges

but this is beside the point.

the point is that this time everything was different, and it was interesting to watch the mind constantly referring back to what happened last year. memory is a dangerous thing, and only forgetting has a greater capacity for harm:


is it live or is it Memorex?

this piece was one of my favorites because it illustrates this point precisely: magnetic tape and its false promise of fidelity. we record each moment of our lives and pretend not to notice the noise and static sprayed all over them. what if we took a moment just to be still, to listen, to be silent as Chaplin:


can we ever escape the (pop) images of our past?

for example, last year we went alone. this year, we went with friends. one posed with a giant Donnie Darko-esque bunny:


many of these photographs are hers

and the other could barely keep her pants on:


toilets and typewriters... Bukowski comes to mind

can we ever escape the images of our past?



or have our minds been colonized so thoroughly that even our attempts at commentary and satire fall victim to branding?


when does cleverness give way to banality?

can art be political?


on the side of the Days Inn South Beach

can neon educate? can argon organize? can a drop of mercury in a vacuum tube really agitate the change we need?


what is the balance between con/text?

perhaps we need hugs:



and kisses:



will this get us any closer to freedom?


in Little Haiti

are we nothing more than children in the dark? are each of us truly Alice? if we walked in a giant psychedelic world of mushrooms and bounce houses would it make any difference?


the Design District

what about a world of movies and faux trapeze? if we string one idea to another and stretch this thread as far as it will go... would these thoughts in the mind ever equal what one might call a sutra?


Collins Park at night

i think back to the first place we visited, and the sound artist who told me about Laslo Muholy-Nagy and Nam June Paik. we spent ten minutes speaking to one another, and it seems there was more art in that living moment than all the dead objects that followed.


for more on Joe Abbati click here

i had the same experience at the end of the night, as i followed a The Great Vodka River from top to bottom, from source to dispersal, one giant circle leading back upon itself.


"The Great Vodka River" by Fyodir Pavlov-Andreevich

women are dressed in white, wearing ballet shoes and singing in Russian, and my yin and i follow them up and around the exhibit. the LED lights shoot up through the holes in the metal scaffolding and reflect off the floor above. the air is thick with the smell of vodka, and the combination of the shimmering aluminum and chanting voices puts me in a trance-like state. polychromatism meets monotony, and the clanging metallic steps of people walking on the scaffolding intensifies this effect, sporadically syncing in/out with the cadence of the singing.

it is mesmerizing, and the entire trip would have been worth these 10 minutes of simultaneous remembering and forgetting.

Friday, December 3, 2010

reasons to love John Cage (some rules for students and teachers)

i took my French final this afternoon, which marks the (un)official close of my semester. i still have to submit the grades for my courses, but since Art Basel has descended once more, that task will have to wait until after the weekend.
but this is beside the point.

the point is that the end of each semester brings its own period of reflection – what it means to teach, what it means to learn, what it means to be engaged in the ritual of creating knowledge. for whatever reason, i stumbled across this morsel of wisdom as i was sifting through the bookmarks folder of my web browser. it's attributed to John Cage, and since Merce Cunningham Dance Company is giving one of their final performances tonight in Miami, it seems especially appropriate to pay homage to one of the artists who helped make the Company what it –

(let us observe
a moment of:



the tense begins to shift;
present to past, from is to...

was.
)


john cage: some rules for students and teachers

RULE ONE: Find a place you trust, and then try trusting it for awhile.

RULE TWO: General duties of a student - pull everything out of your teacher; pull everything out of your fellow students.

RULE THREE: General duties of a teacher - pull everything out of your students.

RULE FOUR: Consider everything an experiment.

RULE FIVE: be self-disciplined - this means finding someone wise or smart and choosing to follow them. To be disciplined is to follow in a good way. To be self-disciplined is to follow in a better way.

RULE SIX: Nothing is a mistake. There's no win and no fail, there's only make.

RULE SEVEN: The only rule is work. If you work it will lead to something. It's the people who do all of the work all of the time who eventually catch on to things.

RULE EIGHT: Don't try to create and analyze at the same time. They're different processes.

RULE NINE: Be happy whenever you can manage it. Enjoy yourself. It's lighter than you think.

RULE TEN: "We're breaking all the rules. Even our own rules. And how do we do that? By leaving plenty of room for X quantities." (John Cage)

HINTS: Always be around. Come or go to everything. Always go to classes. Read anything you can get your hands on. Look at movies carefully, often. Save everything - it might come in handy later.

Thursday, December 2, 2010

(yesterday was) World AIDS Day

yesterday was World AIDS Day, and my university issued a call for literary and visual submissions. unlike the obtuse, contrarian poem i wrote two years ago, this time around i chose to submit something more direct, more accessible, and perhaps even more honest.

as fate would have it, the judges responded, and my brief essay was awarded first place in the literary category. so, yesterday, sandwiched between lunch and an impromptu job interview, i went to the Student Union to read what i wrote. once there, i came across this artwork:


"Time to Get Tested" by Mona Hassan (i think)

which was not the winning piece, but was my favorite. what appeals to me most is the simplicity of its design, and the safety pin metaphor is pure genius. a different piece by this same artist (who lamentably was not there) won second place in the visual category. but this is beside the point.

the point is that i read my piece, and with substantially less nervousness than times past. perhaps it was because i had been going nonstop all day, or maybe because i had a French presentation looming 45 minutes in the future. whatever the reason, i was glad to share my essay, which was written with less effort and pretense than the academic writing i've been immersed in for the past three months. and so, without further ado...


Untitled

My cousin Landon and I were raised like brothers in a small town in North Carolina's Appalachian Mountains. He was a year younger than I, but taller, stronger and more confident even from a young age. Our grandmother took care of us as kids, and we spent summers outside in the woods – hiking, playing soldier, and hogging all the ripe blueberries while my younger brother Sam was left to scavenge for the minuscule green orbs that populated the inner regions of the bush. Years passed in this way, and when summer vacation came to a close each August, the two of us would return to elementary schools on opposite ends of the county.

We saw little of one another until the end of October, when we would reunite at his parents' home dressed as a vampire, movie star, or superhero. His stepfather was a highway patrolman, a hard man who had never healed from his own poverty-stricken upbringing and childhood filled with abuse. In spite of this, he did his best to raise my cousin, treating him like his own and trying to instill a sense of right and wrong, even if it came at the end of a hickory switch.

Each Halloween he would take us trick or treating, and Landon, my brother and I would pile in the back of Uncle Moe's red pick-up truck. We would have contests to see who could keep his mouth open the longest as the truck lumbered from one home to the next, and I still remember how salty and foreign my tongue tasted as the frigid mountain air dried the saliva. I don't remember who won these tests of endurance, but I do recall that Landon and I would run inside as soon as we got home, pouring out our candy in the floor and then segregating by type, texture and taste. Sugar Daddy was our favorite.

The snowstorms of winter often made the county's gravel roads impassable, and classes would be canceled for all of December. While our classmates looked forward to Christmas, Landon and I would count down the days until our annual holiday shopping in Kingsport, Tennessee. It was nothing more than an aging industrial town with a third rate mall, but to us it was like shopping on Fifth Avenue. When we got old enough, our grandparents would allow us to go off and explore the stores on our own. By the time we reached adolescence, though, these opportunities came less and less often. Landon was on the football team, the basketball team, the baseball team, and never had any trouble finding a date on Saturday night. I remember how much I envied his ease with women, how he never seemed embarrassed or worried when our grandmother or aunt would tease him.

I left home when I was sixteen, and Landon and I fell out of contact, seeing each other only on Thanksgiving and Christmas Eve. I would always try to show up late enough to miss Uncle Moe's blessing over the meal, and to this day I don't know whether to call it an exceptionally long prayer or a relatively short sermon. Either way, the food was cold by the time he was done, and Landon and I would have to choke back laughter as the family members' eyes peeked open to watch the steam billowing up from the mashed potatoes. He would tell me stories about his sexual conquests – girlfriends and casual encounters and one-night stands – after dinner, and I listened with a mix of embarrassment and envy.

Landon came out his freshman year of college, and the family went through a painfully stereotypical transition as they tried to cope with their expectations and prejudices being challenged. My brother and I seemed to be less effected than the others, and I remember us laughing to one another, "He used to dress up as Wonder Woman for Halloween – does this really come as a surprise?"

But it did for our family: the county we grew up in didn't even have a synagogue or cathedral, much less the cultural space for any sort of non-heterosexual expression. Time continued to pass, and occasionally I would come across old friends who told me that they had heard rumors about Landon back in high school. I considered for the first time what it must have been like for him to hide his desire, to hide himself, to sneak around in a town where everyone knows everyone else's business. I imagined the freedom he must have felt when he left for college. It was only forty-five minutes away, but clearly far enough to begin expressing the person he had always been inside.

Landon tested positive for HIV in 2003, and the news of this diagnosis rippled across the family grapevine. I found out from my mother as I was driving between Deep Gap and Boone, halfway between the county we grew up in and the college where he came out. I didn't know what to say or do, so I did nothing, paralyzed by sense of impotence. My cousin and I hadn't been close in a decade, but he was the first person I ever knowingly knew with HIV.

Over the past five years his T-cell count has bounced up and down like the rubber bouncy balls we used to throw off the walls of the garage when we were eight. I've never discussed it with him, and I have no idea if the drug use came from the virus, or the virus from the drug use, or the drug use from the sex, or the sex from the virus, or the virus from the sex, or the sex from the drug use. A person could go crazy spinning these thoughts around inside his head, and no matter how many times we ask the question, no matter how many times we demand an answer – there's really no way of knowing why some of us end up lucky and some of us don't.

Wednesday, December 1, 2010

my original face?

there is a koan in Zen Buddhism that asks, approximately, "What did your face look like before your parents were born?"


author trespassing in an abandoned temple, Summer 2010

or, perhaps, "Show me your Original Face, the face you had before your parents were born."


a view from above

or even, "What is your original face, before your parents were born?"


the spigots are broken and the gutters have fallen

whatever it is, it must have gotten muddled in my mind somewhere along the way because what came to me during last night's meditation was: "What was your original face when you were born?"


chalk, decay and yantra

perhaps this elision is a metaphor for my spiritual development, perhaps i'm not yet ready to imagine that far back, perhaps this is beside the point.

the point is that i had my eyes closed for most of last night's satsang. it was a good one, focusing on the nine obstacles to growth: disease, dullness, doubt, carelessness, laziness, delusion, non-achievement, instability and the craving for worldly things.

obstacles are also beside the point.

the point is that the half-Canadian talked and talked and talked, and i found my eyes closing intermittently, moving in/out as poorly-defined questions were repeated ad infinitum. by the time he started winding down, it was clear that the meditation would need to be brief and i closed my eyes without expectation.

[lapse]

i have the most bizarre decentering experience, of my self in utero, the moment of emergence, the first articulation of 'i'. it is the movement from undifferentiated to differentiated, from _________ to "i am." there is bewilderment without fear, confusion coupled with the raw ecstasy of living. it is the sight of my original face, and the realization that my original face preceded my ability to see it.

all these things leave me reeling, and i exit the room without giving hugs or saying goodbye. i try to speak to my yin on the way home. words fail. everything is raw. i feel utterly exposed, each hair on my arms tingling. i am vulnerable and dependent. there is a part of me that is still in that womb – was it my mother or my Mother?

[lapse]

the next day the words return, and i feel almost hungover from the night before. one things zips into another. occasionally i still feel the tingle.


graffiti, hearts and wisdom